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Formed 1965, London, England
Syd Barrett
(b. Roger Keith Barrett, Jan. 6, 1946, Cambridge, Eng.) gtr.,
voc.;
Richard Wright (b. July 28, 1945, London), kybds., voc.;
Roger Waters (b. Sep. 6, 1944, Surrey, Eng.), bass, voc.;
Nick Mason (b. Jan. 27, 1945, Birmingham, Eng.), drums.
David Gilmour

With the
release of 1973’s The Dark Side of the Moon, Pink
Floyd abruptly went from a moderately successful acid-rock
band to one of pop music’s biggest acts. The recording, in
fact, remained on Billboard’s Top 200 album
chart longer than any other release in history. Along with
1979’s The Wall, it established the band as
purveyors of a distinctively dark vision. Experimenting with
concept albums and studio technology and breaking free of
conventional pop song formats, Pink Floyd prefigured the
progressive rock of the Seventies and ambient music of the
Eighties.
It all began in
1965 when Syd Barrett, Bob Close, Rick Wright, Nick Mason,
and Roger Waters joined a band called Sigma 6. The
band had it's hard times and failed. Bob
Close left the band and the remaining four members all
went on with there music career.
The four made music under the name such as The
screaming Abdabs, T-Set, The Meggadeaths, and The Architectural Abdabs.

As early as
1964 Pink Floyd’s original members, except Syd Barrett,
were together studying architecture at London’s Regent
Street Polytechnic School. With Barrett, an art student who
coined the name the Pink Floyd Sound after a favorite blues
record by Pink Anderson and Floyd Council, they began
playing R&B-based material for schoolmates. By 1967 they
had developed an unmistakably psychedelic sound: long, loud
suitelike compositions that touched on hard rock, blues,
country, folk, electronic, and quasi-classical music. Adding
a slide and light show, one of the first in British rock,
they became a sensation among London’s underground as a
featured attraction at the UFO Club. Barrett, who was
responsible for most of the band’s early material, had a
knack for composing singles-length hits of psychedelia, and
Pink Floyd had British hits with two of them in 1967:
"Arnold Layne," the tale of a transvestite (#20
U.K.), and "See Emily Play" (#6 U.K.). The latter,
however, was the last U.K. hit single they would have for
over a decade; space-epic titles like "Astronomy Domine"
and "Interstellar Overdrive" were more typical.

With
Syd on guitar and vocals, Rick
on piano and keyboard, Waters
on bass, and Nick
on the drums, Floyd
was off to a start. After a few singles like Arnold
Layne, Candy and a
Currant Bun, and See
Emily Play, the first full album release was Pipers
at the Gates of Dawn. The album had a unique style and a
certain feeling, most people liked it and it sold good.
The Bands leader, Syd
Barrett, was now hooked on LSD, and was usually to high
to play, Waters hired a friend of a band. And with the absence of Barrett
came guitarist David
Gilmour.
The next album was Suacerful
of Secrets, the record only contained three Barrett
tracks and the rest were Waters.

Barrett,
allegedly because of an excess of LSD experimentation, began
to exhibit ever more strange and erratic behavior. David
Gilmour joined to help with the guitar work. Barrett
appeared on only one track of Secrets, "Jugband
Music," which aptly summed up his mental state:
"I’m most obliged to you for making it clear/That
I’m not really here." He left the band, entered a
hospital, and remained in seclusion. Without Barrett to
create concise psychedelic singles, the band concentrated on
wider-ranging psychedelic epics.
The
Waters era had trouble producing music, trying to come up with an
individual sound was troublesome because Waters
wanted to keep some of Barrett's
personality and feel in the music. Albums like More,
Meddle, and Obscured
by Clouds only sold moderately and disappointed Roger.
Then in 1973 the band, mainly under Roger
Waters supervision, released Dark
Side of the Moon (engineered by Alan Parsons of The
group Alan Parson's Project, who also engineered Atom Heart
Mother). The album had a new sound and a better feeling than
what Waters had
released previously, but it carried the psychedelic
awkwardness Waters
had been trying to produce. This hit album rose Floyd
back to the top quickly, and stayed on the Billboards since.
Now with Waters,
Gilmour, Mason, and Wright
enjoying stardom they quickly put out Wish
You Were Here. This album proved that Dark
Side was not a one time deal and Floyd
could still able to produce good, and different music
and this album thought to be a "thank you" to Barrett,
he showed up at the final recording of it.

The next album was Animals,
although it sold good, and had a good sound, it is
considered the "Forgotten Album" because it is
overshadowed by Dark
Side, Wish You Were Here, and The
Wall. The Wall
sold Platinum 22 times and has been considered one of the
greatest of all time.

THE WALL was Roger Waters' crowning accomplishment in Pink
Floyd. It documented the rise and fall of a rock star (named
Pink Floyd), based on Waters' own experiences and the
tendencies he'd observed in people around him. By now, the
bassist had firm control of the group's direction, working
mostly alongside David Gilmour and bringing in producer Bob
Ezrin as an outside collaborator. Drummer Nick Mason was
barely involved, while keyboardist Rick Wright seemed to be
completely out of the picture. Still, THE WALL was a mighty,
sprawling affair, featuring twenty-six songs with
vocals--nearly as many as all previous Floyd albums
combined. The story revolves around the fictional Pink
Floyd's isolation behind a psychological wall. The wall
grows as various parts of his life spin out of control, and
he grows incapable of dealing with his neuroses.

The album opens by welcoming the unwitting listener to
Floyd's show ("In The Flesh?"), then turns back to
childhood memories of his father's death in World War II
("Another Brick In The Wall [Part 1]"), his
mother's over protectiveness ("Mother"), and his
fascination with and fear of sex ("Young Lust").
By the time "Goodbye Cruel World" closes the first
disc, the wall is built and Pink is trapped in the midst of
a mental breakdown. On disc 2, the gentle acoustic phrasings
of "Is There Anybody Out There?" and the lilting
orchestrations of "Nobody Home" reinforce Floyd's
feeling of isolation. When his record company uses drugs to
coax him to perform ("Comfortably Numb"), his
onstage persona is transformed into a homophobic,
race-baiting fascist ("In The Flesh"). In
"The Trial" he mentally prosecutes himself, and
the wall comes tumbling down.
This ambitious concept album was an across-the-board smash,
topping the Billboard album chart for 15 weeks in 1980. The
single "Another Brick In The Wall (Part 2)" was
the country's best seller for four weeks. THE WALL spawned
an elaborate stage show (so elaborate, in fact, that the
band was able to bring it to only a few cities) and a
full-length film. It also marked the last time Waters and
Gilmour would work together as equal partners.

During the recording of The
Wall, Waters let fame go to his head and got into
disputes with most of the other band members, and after The
Wall went on Tour he kicked Richard
Wright out of the band. In 1983 Waters
produced the Album The
Final Cut, and then left the band because a dispute with
the rest of the members.
Now
Gilmour took the band in his hands, and quickly produced a new sound
that was untouched and individual. In 1987 Wright joined back up with Gilmour
and Mason, the
Album Momentary Lapse
of Reason, sold very well and called for a tour, named Delicate
Sounds of Thunder. Later, Waters
caused a legal dispute claiming that the name "Pink Floyd" and all the music belonged to him. Althought the
case never officially made it to trial, Roger lost the
battle and all the music and copyrights was turned over to
the remaining members.
At about this time Waters
also produced a solo Album Radio
KAOS and Barrett
releases and Opel, which was Barrett's
last release before becoming schizophrenic. He now lives
with his aunt in Cambridge England.
In
1994 Pink Floyd (Gilmour, Mason, and Wright) release The Division Bell. This Album rose to the top quick, and stayed on
the American charts for a while. The success of this album
was followed by the live album P-U-L-S-E,
it contained all the best of Pink
Floyd, including the entire album of Dark
side of the Moon which
hasn't been played live in over 19 years.
Pink
Floyd got the recognition that they fully deserved when
inducted to the Rock and Roll Hall of Fame in 1996. Pink
Floyd has kept quiet since, no official information on
tours, or new releases. But Roger Waters in touring the US
in 1999 and 2000, and plans to release a solo album soon
after. He is also finishing an opera named Ca Ira.

1967 -- The
Piper at the Gates of Dawn (Tower)
1968 -- ( + David Gilmour [b. Mar. 6, 1944, Cambridge,
Eng.], gtr., voc.) A Saucerful of Secrets (Harvest)
1969 -- ( - Barrett) More soundtrack; Ummagumma
1970 -- Atom Heart Mother
1971 -- Meddle; Relics
1972 -- Music from La Vallee: Obscured by Clouds
soundtrack
1973 -- The Dark Side of the Moon; A Nice Pair
(reissue of first two LPs)
1975 -- Wish You Were Here (Columbia)
1977 -- Animals
1979 -- The Wall
1981 -- A Collection of Great Dance Songs
1982 -- ( -- Wright)
1983 -- The Final Cut; Works (Capitol)
1984 -- ( - Waters)
1987 -- ( + Wright) A Momentary Lapse of Reason
1988 -- Delicate Sound of Thunder
1992 -- Shine On (Columbia)
1994 -- The Division Bell
1995 -- Pulse
1995 -- Roger Waters solo:
1984 -- The Pros and Cons of Hitch Hiking (Columbia)
1987 -- Radio K.A.O.S.
1990 -- The Wall -- Live in Berlin (Mercury)
1992 -- Amused to Death (Columbia)
1992 -- David Gilmour solo:
1978 -- David Gilmour (Columbia)
1984 -- About Face
1984 -- Richard Wright solo:
1978 -- Wet Dream (Harvest)
1984 -- Identity
1984 -- Nick Mason solo:
1981 -- Nick Mason’s Fictitious Sports (Columbia)
1985 -- Profiles
1985 -- Syd Barrett solo
1987 -- Momentary Lapse Of Reason
1987 -- The Delicate Sound Of Thunder
1994 -- The Division Bell
1995 -- P.U.L.S.E
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