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THE
BAND
The
Wailers, formed 1963, Jamaica
Bob
Marley - born Robert Nesta Marley, Apr. 6, 1945, St. Ann's
Parish, Jamaica, died May 11, 1981, Miami, Florida -
vocals, guitars.
Peter Tosh - born Winston Hubert MacIntosh, Oct. 9, 1944,
Westmoreland, Jamaica, died Sept. 11, 1987, Barbican, St.
Andrew, Jamaica - vocals, guitars.
Bunny Livingstone born Neville O'Reilly Livingstone, Apr.
10, 1947, Kingston, Jamaica - vocals, percussion.
Junior Braithwaite - vocals.
Beverly Kelso - vocals.
Bob
Marley was a hero figure, in the classic mythological
sense. His departure from this planet came at a point when
his vision of One World, One Love - inspired by his belief
in Rastafari - was beginning to be heard and felt. The
last Bob Marley and the Wailers tour in 1980 attracted the
largest audiences at that time for any musical act in
Europe.
Bob's story is that of an archetype, which is why it
continues to have such a powerful and ever-growing
resonance: it embodies political repression, metaphysical
and artistic insights, gangland warfare and various
periods of mystical wilderness. And his audience continues
to widen: to westerners Bob's apocalyptic truths prove
inspirational and life-changing; in the Third World his
impact goes much further. Not just among Jamaicans, but
also the Hopi Indians of New Mexico and the Maoris of New
Zealand, in Indonesia and India, and especially in those
parts of West Africa from wihch slaves were plucked and
taken to the New World, Bob is seen as a redeemer figure
returning to lead this planet out of confusion.
In the clear Jamaican sunlight you can pick out the
component parts of which the myth of Bob Marley is
comprised: the sadness, the love, the understanding, the
Godgiven talent. Those are facts. And although it is
sometimes said that there are no facts in Jamaica, there
is one more thing of which we can be certain: Bob Marley
never wrote a bad song. He left behind the most remarkable
body of recorded work. "The reservoir of music he has
left behind is like an encyclopedia," says Judy
Mowatt of the I-Threes. "When you need to refer to a
certain situation or crisis, there will always be a Bob
Marley song that will relate to it. Bob was a musical
prophet."
The tiny Third World country of Jamaica has produced an
artist who has transcended all categories, classes, and
creeds through a combination of innate modesty and
profound wisdom. Bob Marley, the Natural Mystic, may yet
prove to be the most significant musical artist of the
twentieth century.
Bob
Marley was born 6 February 1945 in a small village called
Nine Miles in the parish of St. Ann, Jamaica. His father
was a white Jamaican, a Captain in the army named Norval
Marley. Bob had only a scant recollection of his father.
This was largely due to the fact that the 'well to do'
Marley family did not approve of the relationship Norval
had formed with Bobs mother Cedella. His father therefore,
despite marrying Cedella, was more an occasional visitor.
He did not live to witness the success of his son Bob.
Marley left his rural home for the slums of Kingston at
age 14.Bob cut his first record at the age of 16 in
Kingston. A song called 'Judge Not'. In 1963 the original
Wailers were formed, the line-up being Bob Marley, Bunny
Livingstone (who was later to take the name Wailer), and
Peter Tosh. Their first song 'Simmer Down' was an instant
number one in Jamaica. When he was 17, Jimmy Cliff
introduced him to Leslie Kong, who produced Marley's first
single, "Judge Not," and several other obscure
sides. In 1963, with the guidance of Jamaican pop veteran
Joe Higgs, Marley formed the Wailers, a vocal quintet,
with Peter Tosh, Bunny Livingstone, Junior Braithwaite,
and Beverly Kelso. Their first single for producer Coxsone
Dodd," Simmer Down," was one of the biggest
Jamaican hits of 1964, and the Wailers remained on Dodd's
Studio One and Coxsone labels for three years, hitting
with "Love and Affection."

In
1966 Haile Sellasie visited Jamaica and Bob and the other
Wailers embraced the Rastafarian faith and began to grow
their 'locks'. Also at around this time they teamed up
with the producer Lee Perry for what was to become a very
productive but ultimately soured relationship. The union
ceased when Perry allegedly sold their material to another
label without their knowledge.
In 1972 Chris Blackwell signed the Wailers to his 'Island'
label, and gave them 8000 to produce a record. The result
- 'Catch A Fire', released in 1973 - was a breakthrough
album, triggering international recognition of the
Wailers. In the UK they appeared on BBC television, and in
New York they opened for Bruce Springsteen at Max's Kansas
City Club. The touring schedule proved too much for Bunny
and he announced his intention to quit the Wailers. Soon
followed by Peter Tosh who left to concentrate on a solo
career.
And so a
new line up emerged, with Bob being the front man of 'Bob
Marley and the Wailers'. He retained the stalwart rhythm
section of the Barrett brothers (Aston and Carlton) on
bass and drums, and added a trio of female backing
vocalists called the 'I-Threes', one of which was his wife
Rita who had sung occasionally with the Wailers since the
beginning. The first album of the new line-up 'Natty
Dread' was a major success. In 1975 Bob Marley and the
Wailers played the Roxy in Los Angeles. Among the
ectstatic audience (apparently some were dancing on the
tables) were Beatles George and Ringo, Bob Dylan, and Jack
Nicholson!
Back home in Jamaica Bob was becoming revered as a mystic
and prophet, his influence was noted by politicians. When
Bob approached the then Prime Minister Michael Manley
offering to stage a free concert he responded by fixing a
date (5 December) that would conveniently coincide with
the national elections, thus implying that he had the
support of Bob Marley. This dangerous move resulted in an
attempt on Bobs life. On the evening of the 3 December a
number of gunmen arrived at Bobs house on Hope Road and
shot Bob, his wife Rita, and his manager. These gunmen
were thought to be the henchmen of the opposition leader
Edward Seaga. Fortunately, nobody was killed, and Bob went
ahead with the planned concert defiantly appearing with
his arm in a sling.
The following year Bob cancelled the last few dates of a
big European tour when doctors diagnosed melanoma cancer
in the big toe of his right foot. This was the result of a
neglected football injury (football being Bobs other major
passion alongside music) which occured in Paris when the
Wailers took on a team of French journalists some time
earlier. Back home in Jamaica the gunmen leaders of the
two warring political factions (The Jamaican Labour Party
and the Peoples National Party) approached Bob and asked
him to perform at a concert marking a truce between them.
The concert titled the 'One Love' Concert took place on 22
April 1978. During the concert Bob persuaded the Prime
Minister Manley and the opposition leader Seaga to join
him on stage where they shook hands. An incredible event
in Jamaica at that time. As a reult of this act Bob
received the United Nations' Peace Medal in New York the
following June.
During 1979 Bob introduced reggae music to the world,
touring Japan, Australia and New Zealand. In 1980 he
headlined the independence celebrations in Zimbabwe, one
of the dignitaries present being non other than Prince
Charles! In September of this same year Bob collapsed
while jogging in Central Park, New York, just after
commencing the American leg of a world tour with the
'Commodores' playing support. Doctors told him the
shocking news that the cancer (previously considered to
have been cleared) had returned and was present in his
lungs and brain. Despite this he flew to Pittsburg where
on the 23 September 1980 he performed his last concert at
the Stanley Theatre.
Initially Bob was treated in New York but the doctors
eventually said there was nothing more they could do for
him. He flew to Bavaria where he was treated by the
unconventional Dr Issels. First signs were encouraging and
for a while it appeared that Bob was improving. However by
the beginning of May Dr Issels had to tell him that there
was no longer any hope. Bob intended to end his days back
in Jamaica but was so ill that he had to check into a
hospital in Miami en route. Here he died on 11 May 1981.
His body was returned to Jamaica where it was placed in a
specially constructed mausoleum at his birthplace, Nine
Miles.

THE
ALBUMS:
1965 -- (
- Braithwaite; - Kelso)
1969 -- ( + Aston Francis "Family Man" Barrett
[b. Nov. 22, 1946, Kingston, Jam.], bass; + Carlton Lloyd
"Carly" Barrett [b. Dec. 17, 1950, Kingston,
Jam.; d. April 17, 1987, Kingston, Jam.], drums)
1973 -- Catch a Fire (Island) ( + Earl "Wire"
Lindo [b. Jan. 7, 1953, Kingston, Jam.], kybds.); Burnin'
( - Tosh; - Livingstone)
As Bob
Marley and the Wailers:
1974 -- ( + Bernard "Touter" Harvey [b. Jam.],
kybds.; + Al Anderson [b. Montclair, N.J.], gtr.; + the
I-Threes [Rita Marley, Marcia Griffiths, Judy Mowatt, all
b. Jam.], voc.; + Alvin "Seeco" Patterson [b.
Jamaica], perc.; + Tyrone Downie [b. Jam.], kybds.; +
Julian "Junior" Marvin [b. U.S.], gtr.; + Lee
Jaffe, harmonica) Natty Dread (Island) ( - Marvin; -
Jaffe; - Lindo; + Earl "Chinna" Smith, gtr.)
1975 -- Live ( - Downie; + Donald Kinsey [b. May 12, 1953,
Gary, Ind.])
1976 -- Rastaman Vibration ( - Kinsey; - Smith; - Harvey;
- Anderson; + Marvin; + Downie)
1977 -- Exodus ( - Downie)
1978 -- Kaya ( + Lindo; + Anderson; + Downie); Babylon by
Bus
1979 -- Survival
1980 -- Uprising
1983 -- Confrontation
1984 -- Legend
1991 -- Talkin' Blues (Tuff Gong)
1992 -- Songs of Freedom (Island)
1995 -- Natural Mystic
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